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[DONE] 연구 페이지에 얼음·극지와 미생물 갈래가 열리고, 장작 가마와 그림자극, 종이학을 포함한 새 패턴 열 개가 선다 - #207
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Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
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lsh / https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
연구 페이지에 26판 새 패턴 열 개를 세웠어요. 얼음·극지 갈래를 물높이에서 자른 빙산으로, 미생물 갈래를 암시야 현미경 속 연못물로 열었고, 여러 판 「다음 판 감」에 남아 있던 장작 가마와 모내기, 그림자 인형극, 종이학, 장대높이뛰기가 이번에 섰어요. 머지하면 index.html 에서 168개를 쉰 갈래로 보고, 열 개 모두 Lab 에 그대로 붙여 넣을 수 있어요.
좋아지는 것: 빙산과 가마, 그림자극 같은 새 그림 열 개가 선다 — 연구 페이지에서 고를 그림이 늘어난다
할 일
--check --gaps기준 재기: dev856d7d8의 158개에서 21장 모두none, 패턴이 하나뿐인 칸 43families.json:polar(얼음·극지),microbe(미생물)e69d2ff),index.html다시 짓기,--check --gapsbb7bbe7에서 Drift checks, Docs point at files that exist 둘 다 success한 일
families.json에polar(얼음·극지,#00ffff),microbe(미생물,#aa00aa)를 더했어요. 미생물 색은 그람 염색의 보라에서 골랐어요.patterns/에 두었어요. 모두// Round: 26,Author,Date,Lineage,// Knob 1:~// Knob 4:줄이 있고, 24,040 바이트(Rice Planting)에서 24,980 바이트(Pole Vault) 사이예요. 가장 큰 것도 Aquarium(25,159)보다 작아요.### 26판표,## 26판절(머리 문단과 패턴마다 한 문단), 「다음 판 감」을 고쳤어요. 빈 칸, 촘촘함, 모양 바뀜, 움직임, 갈래, 세로 문단에 이번 판에서 잰 것을 더했어요.index.html을 deve69d2ff를 합친 위에서 다시 지었어요. 6,325,547 바이트에서 6,861,411 바이트가 됐어요.git worktree열(/workspace/wt-<slug>)에 하나씩 맡겨 짜고, 본체에서 프레임을 그려 보고 합쳤어요. worktree 와 그 브랜치는 지웠어요.89f09a9). voice 검사가 짚은 코드 주석 셋(Dark Field 둘, Implosion 하나)의 셋 나열도 고쳤어요. 움직임이 2.306 에서 1.381 로 내려갔고 겨눈 두 칸은 그대로예요.증거
web/에서npx tsx ../incoming/pattern-study/tools/study.ts --check --gaps(deve69d2ff를 합친 위):주제 1 대신 겨눈 칸은 만들기 전 158개에서 패턴이 하나뿐이었어요. 168개에서 잰 뒤:
Dark Field 와 Origami 는 씨앗 여덟이 다, Lichtenberg 는 여덟 가운데 일곱이 그 칸에 들어요. 패턴이 하나뿐인 칸은 43 에서 39 가 됐고, 새로 혼자 선 칸은 없어요. 일곱 축의 양 끝도 그대로예요.
주제 4 의 여섯은 표의
thirds가 3분의 1마다 5 를 넘어요. 바탕을 지운 사본(커밋하지 않았어요)으로 주인공만 재면, 씨앗 넷에서 켜진 LED 와 2~8초 동안 바뀐 LED 가 이래요.30.8 / 67.267.3 / 30.0~30.137.4 / 55.157.3 / 20.2~26.622.7 / 49.749.9 / 44.0~44.132.0 / 54.258.2 / 37.8~40.016.0 / 16.018.3 / 39.6~40.55.4 / 38.045.8 / 10.4~13.219.6 / 64.168.0 / 53.5~55.476.6 / 100 / 66.171.154.3 / 29.030.7 / 13.689.7 / 73.875.2 / 14.2~14.71.7 / 4.95.0 / 24.3~24.4git diff --stat origin/dev -- incoming/pattern-study:실행법
web/에서npm ci다음npx tsx ../incoming/pattern-study/tools/study.ts --check --gaps. 페이지는incoming/pattern-study/index.html을 브라우저로 열어요.가정
--gaps가 21장 모두none이라*칸이 없었어요. ROUND.md 대로라면 몫이 비어서, 24·25판처럼 패턴이 하나뿐인 칸을 대신 겨눴어요. Dark Field(복잡도 × 채움 3,1, 촘촘함 × 채움 3,1), Origami(채움 × 모양 바뀜 1,3), Lichtenberg(복잡도 × 모양 바뀜 4,3)예요. 표의 주제 칸에는 1 을 적지 않았어요.families.json의 마흔여덟 색과 redmean 거리가 가장 먼 쪽에서 골랐어요(#00ffff은 노이즈·흐름과 177,#aa00aa는 장난감과 156).1.7% 라 5 아래예요. 바뀐 LED 는 22.823.2% 라서 세로를 쓰는 것으로 봤어요. Rice Planting 은 그 반대로 위 3분의 1의 바뀐 LED 가 0.0~5.4% 이고 켜진 LED 가 15% 예요.경험
언제: 패턴 바퀴에서 움직임이나 복잡도 칸을 겨눈 패턴을 일꾼에게서 받을 때
교훈: LED 마다 해시로 뿌리는 결이 프레임 번호를 씨앗으로 쓰는지 코드에서 보고, 그렇다면 결을 멈춘 사본으로 움직임을 다시 재서 그 몫을 뺀다
근거: Patternflow#207 Dark Field 가 프레임마다 새 결을 뿌려 움직임 2.306 으로 텔레비전 잡음처럼 끓었고, 결을 한 번 정해 두자 복잡도는 2.080 에서 2.081 그대로인 채 움직임이 1.381 이 됐다
패턴 바퀴
패턴 바퀴 24 · 26판 · 새 패턴 10 · Iceberg, Dark Field, Noborigama, Rice Planting, Implosion, Geyser, Pole Vault, Lichtenberg, Origami, Shadow Play
다음 바퀴
--gaps가 21장 모두none이에요. 패턴이 하나뿐인 칸은 168개에서 39이고, Dark Field 는 라인베르크 조명이 바탕을 파랗게 채워 채움 × 색 1,4(Neon Alley 혼자)에 닿지 못했어요. 검은 바탕에 색이 여럿인 그림이 그 칸이에요. ROUND.md 의 주제 1 이 패턴이 하나뿐인 칸도 고르게 바뀌어야 이 몫이 돌아요(ROUND.md 를 고칠 것).https://claude.ai/code/session_01BvYAVbR9mNHMMAp7tN8evZ
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