Transmute News from Nowhere chapter 4

documents/reference/compounds.md

@@ -115,6 +115,7 @@ This registry is machine-checked and machine-published: `python3 scripts/validat
 | `halemu womu` | remembering-house | museum | The institution is described as a place where a community keeps material connected with remembering. |
 | `whelina sholei` | grass-gathering | hay-harvest, haymaking | The event noun of `sholei` (gather) takes grass as the material being gathered. |
 | `lona lokue` | meeting-place | hall | The place is identified by its recurring use for meetings and gatherings. |
+| `wisola lokue` | exchange-place | market | Repeated exchange gives the place its ordinary name. A speaker can add what passes between whom and under what terms; the place itself does not smuggle a price into the event. |
 | `mueri kerou` | clay stone | brick | A brick is shaped clay hardened until it can take a stone's place in a wall. The compound already carries the material contrast at the centre of Babel. |
 | `shumeko muralo` | sticky material | glue; adhesive | Stickiness names the property that matters in ordinary joining. Chemistry, curing behaviour, and safe use belong to the particular adhesive. |
 | `thero muralo` | fire material | fuel | The material is fuel because it feeds a fire. The expression says what it does without praising the fuel or hiding its origin. |

manual/part7_reference/compounds.md

@@ -5,7 +5,7 @@
 
 # The Compound Registry
 
-*76 canonized compounds.*
+*77 canonized compounds.*
 
 Canonized compound idioms are multi-word expressions with a stable reading in Phi. Each entry records what the expression means and why its visible parts remain useful.
 
@@ -121,6 +121,7 @@ A registered compound can be used when its recorded analysis fits. Free composit
 | `halemu womu` | remembering-house | museum | The institution is described as a place where a community keeps material connected with remembering. |
 | `whelina sholei` | grass-gathering | hay-harvest, haymaking | The event noun of `sholei` (gather) takes grass as the material being gathered. |
 | `lona lokue` | meeting-place | hall | The place is identified by its recurring use for meetings and gatherings. |
+| `wisola lokue` | exchange-place | market | Repeated exchange gives the place its ordinary name. A speaker can add what passes between whom and under what terms; the place itself does not smuggle a price into the event. |
 | `mueri kerou` | clay stone | brick | A brick is shaped clay hardened until it can take a stone's place in a wall. The compound already carries the material contrast at the centre of Babel. |
 | `shumeko muralo` | sticky material | glue; adhesive | Stickiness names the property that matters in ordinary joining. Chemistry, curing behaviour, and safe use belong to the particular adhesive. |
 | `thero muralo` | fire material | fuel | The material is fuel because it feeds a fire. The expression says what it does without praising the fuel or hiding its origin. |

project/deferred_questions.md

@@ -33,7 +33,7 @@ Current Phi words and passages set in backticks inside English paragraphs keep t
 Work proceeds in this order:
 
 1. **Primer:** Complete. The full shelf is a quiet illustrated reader shaped around the household story, with a restrained motif for each of its four parts. Part and chapter progress remain easy to see without becoming a scoreboard. Phi passages hold the centre of each scene, compact word ledgers and speaker labels support them, and the manual pointer closes as a note. The pronunciation prelude, contents ladder, and capstone keep distinct layouts within the same family.
-2. **Texts:** Complete. The Aesop prototype and the five other regular paired works share one anthology design without losing their individual shapes. Each has its own masthead motif and Tengwar title. Translation, transmutation, and comparison remain visible at a glance; literary rows handle exact source witnesses, including Schleicher's hyphenated labels and Babel's uncited Phi coda. *The Prophet* begins with love, opens into both methods for children, and returns to a single method for giving. Its speech-and-seed masthead and three-teaching map hold the excerpts together. The translation-only pages carry two unlike works. The Metta Sutta moves through ten quiet numbered verses into a continuous recitation, while the Solarpunk Manifesto gives its opening account and twenty-two propositions firmer divisions before its own continuous reading. Their final sections name what Phi could not carry exactly from each source. Each standalone transmutation now has its own reading shape. The Ring refusal examines Tolkien's source couplet before Phi answers it. *The Little Prince* follows its request, secret, and responsibility through three short numbered excerpts. *The Velveteen Rabbit* has an eighteen-scene map and numbered scene openings, so its 428 interlinear units remain navigable. The renderer decodes the quotation wrapper used in fenced source rows, so dialogue appears without escape slashes. The original dialogue keeps Phi in the leading line. A quiet gutter distinguishes telari and sanuwe, while three compact ledgers follow the argument into analysis. The build counts all 39 dialogue units and every ledger row; a polished omission would still be an omission. The contents page opens the shelf as a catalogue rather than another work. Four method notes explain how each work relates to its source, thirteen short works receive linked Phi, English, and Tengwar titles in catalogue order, and *News from Nowhere* sits apart as one book. Its own contents page shows 3 of 32 chapters, while each chapter has a compact masthead, a river-and-home mark, a complete movement map, and navigation that names the adjacent chapters. A strict book record pins all 29 movements, 565 source-and-Phi passages, 31 notes, and the chapter-one ledger to the current Markdown. The nested reader remembers this book separately from the shorter texts. Browser checks covered desktop, phone, light, dark, and print layouts without changing a line of the source chapters.
+2. **Texts:** Complete. The Aesop prototype and the five other regular paired works share one anthology design without losing their individual shapes. Each has its own masthead motif and Tengwar title. Translation, transmutation, and comparison remain visible at a glance; literary rows handle exact source witnesses, including Schleicher's hyphenated labels and Babel's uncited Phi coda. *The Prophet* begins with love, opens into both methods for children, and returns to a single method for giving. Its speech-and-seed masthead and three-teaching map hold the excerpts together. The translation-only pages carry two unlike works. The Metta Sutta moves through ten quiet numbered verses into a continuous recitation, while the Solarpunk Manifesto gives its opening account and twenty-two propositions firmer divisions before its own continuous reading. Their final sections name what Phi could not carry exactly from each source. Each standalone transmutation now has its own reading shape. The Ring refusal examines Tolkien's source couplet before Phi answers it. *The Little Prince* follows its request, secret, and responsibility through three short numbered excerpts. *The Velveteen Rabbit* has an eighteen-scene map and numbered scene openings, so its 428 interlinear units remain navigable. The renderer decodes the quotation wrapper used in fenced source rows, so dialogue appears without escape slashes. The original dialogue keeps Phi in the leading line. A quiet gutter distinguishes telari and sanuwe, while three compact ledgers follow the argument into analysis. The build counts all 39 dialogue units and every ledger row; a polished omission would still be an omission. The contents page opens the shelf as a catalogue rather than another work. Four method notes explain how each work relates to its source, thirteen short works receive linked Phi, English, and Tengwar titles in catalogue order, and *News from Nowhere* sits apart as one book. Its own contents page shows 4 of 32 chapters, while each chapter has a compact masthead, a river-and-home mark, a complete movement map, and navigation that names the adjacent chapters. A strict book record pins all 35 movements, 686 source-and-Phi passages, 37 notes, and the chapter-one ledger to the current Markdown. The nested reader remembers this book separately from the shorter texts. Browser checks covered desktop, phone, light, dark, and print layouts without changing a line of the source chapters.
 3. **Manual:** Complete. The website opens the manual as a catalogue rather than a loose table of contents. A jump strip moves among Parts I through VII and the closing matter; 24 chapter groups carry 145 numbered readings in the same order as the footer navigation. Each part keeps its established mark. The final cross-read gave every teaching page its proper part and chapter name, replaced the stale repository README and over-detailed outline, and made the build compare that outline with the renderer metadata. Browser checks cover the catalogue and every reading at desktop and phone widths, with dark and print views.
 4. **Pamphlets:** Fourteen workbooks complete. *The Three Slots* established the practice-book design from its opening through the appendix. Adverbial clauses, complementizers, coordination, and relative clauses form the clause family, with a bracket-and-join mark suited to clauses that open, close, modify, and meet. Tense and aspect and evidentiality keep that workbook frame without borrowing the same badge merely because both live in Slot 1. Time receives a returning clock beside a focus mark; evidentiality receives the route a claim took beside the eye that met it. Pronouns and topic-drop and nouns and classifiers form the reference-and-noun-phrase family. People and a recoverable absence mark the first; kinds of thing and an ordered branch mark the second. Naming and source material make the boundary pair without becoming the same lesson. A tag meets a person in the Naming mark; a document meets two separate panels in Source Material. Naming opens through its cast and household scenes, then closes with a six-part answer key. Source Material stays compact: five short lessons need no invented subsections, exact artifacts remain ordinary code, answers receive a reasoning form, and the quick reference begins with its table rather than a false introduction. Spoken Punctuation and Tengwar Mode meet at the period, then turn in different directions. Their marks make that fork visible: an audible line sits beside the dot that stays on the page, while a pen faces a reading frame. Spoken Punctuation keeps its named contrasts, dictation scene, six-part exercise, and two-table appendix. Tengwar's seven compact lessons remain unsectioned where the source is unsectioned. Every fenced example puts Tengwar above romanized Phi and its gloss; a translation stays at the foot when the source supplies one. The exercise page recovers its six divisions, and the final page is a numbered copybook of twenty-two lines. Ternary Numerals closes the workbook sequence with an abacus beside an ascending scale. The child's first eight numbers become a cover-and-check grid, while the higher forms become a numbered recital. Worked decompositions sit apart from the running lesson. The market exchange keeps its spoken dash within an interlinear figure; falling back to raw code is now a build failure. Ten answer groups make the long key navigable, and the five-table appendix still works as a quick reference on a 390-pixel phone. The older sources keep their own manners. The complementizer files retain plain page titles and deeper headings, while the evidentiality contents page keeps its colons beside page headings that use parentheses. The renderer accepts that precise punctuation difference and no broader drift. Interlinear glosses receive their own line, wide structural diagrams scroll inside the example that owns them, and consecutive answers that Markdown swallowed into one item regain their individual markers. The strict manifest pins all 154 pamphlet pages and their continued exercise numbering. Every page was loaded at desktop and phone widths, then once without the stylesheet: 462 renderings. The day and night palettes both held, as did print. Direct inspection covered the final opening and both numeral drills. Arithmetic and Market Day received their own checks. So did the error repairs, answer key, and five-table appendix. The shelf catalogue completes the family. It lists fourteen workbooks in the maintained order and places each reading total beside its mark. The layout is a two-column practice desk on wide screens and one column at phone width; without CSS, it remains a plain ordered list. No Markdown source changed anywhere in the visual sequence.