From 2a5c919cb1c224fc8aca28635e05c4fd2292bbb1 Mon Sep 17 00:00:00 2001 From: Daniel Ellison Date: Mon, 27 Jul 2026 16:22:17 -0400 Subject: [PATCH 1/2] Transmute News from Nowhere chapter 4 --- documents/reference/compounds.md | 1 + manual/part7_reference/compounds.md | 3 +- project/deferred_questions.md | 2 +- project/handoff/current_state.md | 14 +- project/roadmap.md | 2 +- site/manual_editorial.json | 2 +- site/news_from_nowhere_editorial.json | 40 ++ texts/README.md | 2 +- texts/news_from_nowhere/README.md | 3 +- texts/news_from_nowhere/chapter_04.md | 662 ++++++++++++++++++++++++++ 10 files changed, 718 insertions(+), 13 deletions(-) create mode 100644 texts/news_from_nowhere/chapter_04.md diff --git a/documents/reference/compounds.md b/documents/reference/compounds.md index 8c69376c..3d5752ea 100644 --- a/documents/reference/compounds.md +++ b/documents/reference/compounds.md @@ -115,6 +115,7 @@ This registry is machine-checked and machine-published: `python3 scripts/validat | `halemu womu` | remembering-house | museum | The institution is described as a place where a community keeps material connected with remembering. | | `whelina sholei` | grass-gathering | hay-harvest, haymaking | The event noun of `sholei` (gather) takes grass as the material being gathered. | | `lona lokue` | meeting-place | hall | The place is identified by its recurring use for meetings and gatherings. | +| `wisola lokue` | exchange-place | market | Repeated exchange gives the place its ordinary name. A speaker can add what passes between whom and under what terms; the place itself does not smuggle a price into the event. | | `mueri kerou` | clay stone | brick | A brick is shaped clay hardened until it can take a stone's place in a wall. The compound already carries the material contrast at the centre of Babel. | | `shumeko muralo` | sticky material | glue; adhesive | Stickiness names the property that matters in ordinary joining. Chemistry, curing behaviour, and safe use belong to the particular adhesive. | | `thero muralo` | fire material | fuel | The material is fuel because it feeds a fire. The expression says what it does without praising the fuel or hiding its origin. | diff --git a/manual/part7_reference/compounds.md b/manual/part7_reference/compounds.md index 486b2fd7..df3b0b64 100644 --- a/manual/part7_reference/compounds.md +++ b/manual/part7_reference/compounds.md @@ -5,7 +5,7 @@ # The Compound Registry -*76 canonized compounds.* +*77 canonized compounds.* Canonized compound idioms are multi-word expressions with a stable reading in Phi. Each entry records what the expression means and why its visible parts remain useful. @@ -121,6 +121,7 @@ A registered compound can be used when its recorded analysis fits. Free composit | `halemu womu` | remembering-house | museum | The institution is described as a place where a community keeps material connected with remembering. | | `whelina sholei` | grass-gathering | hay-harvest, haymaking | The event noun of `sholei` (gather) takes grass as the material being gathered. | | `lona lokue` | meeting-place | hall | The place is identified by its recurring use for meetings and gatherings. | +| `wisola lokue` | exchange-place | market | Repeated exchange gives the place its ordinary name. A speaker can add what passes between whom and under what terms; the place itself does not smuggle a price into the event. | | `mueri kerou` | clay stone | brick | A brick is shaped clay hardened until it can take a stone's place in a wall. The compound already carries the material contrast at the centre of Babel. | | `shumeko muralo` | sticky material | glue; adhesive | Stickiness names the property that matters in ordinary joining. Chemistry, curing behaviour, and safe use belong to the particular adhesive. | | `thero muralo` | fire material | fuel | The material is fuel because it feeds a fire. The expression says what it does without praising the fuel or hiding its origin. | diff --git a/project/deferred_questions.md b/project/deferred_questions.md index d46cd31b..ca89570e 100644 --- a/project/deferred_questions.md +++ b/project/deferred_questions.md @@ -33,7 +33,7 @@ Current Phi words and passages set in backticks inside English paragraphs keep t Work proceeds in this order: 1. **Primer:** Complete. The full shelf is a quiet illustrated reader shaped around the household story, with a restrained motif for each of its four parts. Part and chapter progress remain easy to see without becoming a scoreboard. Phi passages hold the centre of each scene, compact word ledgers and speaker labels support them, and the manual pointer closes as a note. The pronunciation prelude, contents ladder, and capstone keep distinct layouts within the same family. -2. **Texts:** Complete. The Aesop prototype and the five other regular paired works share one anthology design without losing their individual shapes. Each has its own masthead motif and Tengwar title. Translation, transmutation, and comparison remain visible at a glance; literary rows handle exact source witnesses, including Schleicher's hyphenated labels and Babel's uncited Phi coda. *The Prophet* begins with love, opens into both methods for children, and returns to a single method for giving. Its speech-and-seed masthead and three-teaching map hold the excerpts together. The translation-only pages carry two unlike works. The Metta Sutta moves through ten quiet numbered verses into a continuous recitation, while the Solarpunk Manifesto gives its opening account and twenty-two propositions firmer divisions before its own continuous reading. Their final sections name what Phi could not carry exactly from each source. Each standalone transmutation now has its own reading shape. The Ring refusal examines Tolkien's source couplet before Phi answers it. *The Little Prince* follows its request, secret, and responsibility through three short numbered excerpts. *The Velveteen Rabbit* has an eighteen-scene map and numbered scene openings, so its 428 interlinear units remain navigable. The renderer decodes the quotation wrapper used in fenced source rows, so dialogue appears without escape slashes. The original dialogue keeps Phi in the leading line. A quiet gutter distinguishes telari and sanuwe, while three compact ledgers follow the argument into analysis. The build counts all 39 dialogue units and every ledger row; a polished omission would still be an omission. The contents page opens the shelf as a catalogue rather than another work. Four method notes explain how each work relates to its source, thirteen short works receive linked Phi, English, and Tengwar titles in catalogue order, and *News from Nowhere* sits apart as one book. Its own contents page shows 3 of 32 chapters, while each chapter has a compact masthead, a river-and-home mark, a complete movement map, and navigation that names the adjacent chapters. A strict book record pins all 29 movements, 565 source-and-Phi passages, 31 notes, and the chapter-one ledger to the current Markdown. The nested reader remembers this book separately from the shorter texts. Browser checks covered desktop, phone, light, dark, and print layouts without changing a line of the source chapters. +2. **Texts:** Complete. The Aesop prototype and the five other regular paired works share one anthology design without losing their individual shapes. Each has its own masthead motif and Tengwar title. Translation, transmutation, and comparison remain visible at a glance; literary rows handle exact source witnesses, including Schleicher's hyphenated labels and Babel's uncited Phi coda. *The Prophet* begins with love, opens into both methods for children, and returns to a single method for giving. Its speech-and-seed masthead and three-teaching map hold the excerpts together. The translation-only pages carry two unlike works. The Metta Sutta moves through ten quiet numbered verses into a continuous recitation, while the Solarpunk Manifesto gives its opening account and twenty-two propositions firmer divisions before its own continuous reading. Their final sections name what Phi could not carry exactly from each source. Each standalone transmutation now has its own reading shape. The Ring refusal examines Tolkien's source couplet before Phi answers it. *The Little Prince* follows its request, secret, and responsibility through three short numbered excerpts. *The Velveteen Rabbit* has an eighteen-scene map and numbered scene openings, so its 428 interlinear units remain navigable. The renderer decodes the quotation wrapper used in fenced source rows, so dialogue appears without escape slashes. The original dialogue keeps Phi in the leading line. A quiet gutter distinguishes telari and sanuwe, while three compact ledgers follow the argument into analysis. The build counts all 39 dialogue units and every ledger row; a polished omission would still be an omission. The contents page opens the shelf as a catalogue rather than another work. Four method notes explain how each work relates to its source, thirteen short works receive linked Phi, English, and Tengwar titles in catalogue order, and *News from Nowhere* sits apart as one book. Its own contents page shows 4 of 32 chapters, while each chapter has a compact masthead, a river-and-home mark, a complete movement map, and navigation that names the adjacent chapters. A strict book record pins all 35 movements, 686 source-and-Phi passages, 37 notes, and the chapter-one ledger to the current Markdown. The nested reader remembers this book separately from the shorter texts. Browser checks covered desktop, phone, light, dark, and print layouts without changing a line of the source chapters. 3. **Manual:** Complete. The website opens the manual as a catalogue rather than a loose table of contents. A jump strip moves among Parts I through VII and the closing matter; 24 chapter groups carry 145 numbered readings in the same order as the footer navigation. Each part keeps its established mark. The final cross-read gave every teaching page its proper part and chapter name, replaced the stale repository README and over-detailed outline, and made the build compare that outline with the renderer metadata. Browser checks cover the catalogue and every reading at desktop and phone widths, with dark and print views. 4. **Pamphlets:** Fourteen workbooks complete. *The Three Slots* established the practice-book design from its opening through the appendix. Adverbial clauses, complementizers, coordination, and relative clauses form the clause family, with a bracket-and-join mark suited to clauses that open, close, modify, and meet. Tense and aspect and evidentiality keep that workbook frame without borrowing the same badge merely because both live in Slot 1. Time receives a returning clock beside a focus mark; evidentiality receives the route a claim took beside the eye that met it. Pronouns and topic-drop and nouns and classifiers form the reference-and-noun-phrase family. People and a recoverable absence mark the first; kinds of thing and an ordered branch mark the second. Naming and source material make the boundary pair without becoming the same lesson. A tag meets a person in the Naming mark; a document meets two separate panels in Source Material. Naming opens through its cast and household scenes, then closes with a six-part answer key. Source Material stays compact: five short lessons need no invented subsections, exact artifacts remain ordinary code, answers receive a reasoning form, and the quick reference begins with its table rather than a false introduction. Spoken Punctuation and Tengwar Mode meet at the period, then turn in different directions. Their marks make that fork visible: an audible line sits beside the dot that stays on the page, while a pen faces a reading frame. Spoken Punctuation keeps its named contrasts, dictation scene, six-part exercise, and two-table appendix. Tengwar's seven compact lessons remain unsectioned where the source is unsectioned. Every fenced example puts Tengwar above romanized Phi and its gloss; a translation stays at the foot when the source supplies one. The exercise page recovers its six divisions, and the final page is a numbered copybook of twenty-two lines. Ternary Numerals closes the workbook sequence with an abacus beside an ascending scale. The child's first eight numbers become a cover-and-check grid, while the higher forms become a numbered recital. Worked decompositions sit apart from the running lesson. The market exchange keeps its spoken dash within an interlinear figure; falling back to raw code is now a build failure. Ten answer groups make the long key navigable, and the five-table appendix still works as a quick reference on a 390-pixel phone. The older sources keep their own manners. The complementizer files retain plain page titles and deeper headings, while the evidentiality contents page keeps its colons beside page headings that use parentheses. The renderer accepts that precise punctuation difference and no broader drift. Interlinear glosses receive their own line, wide structural diagrams scroll inside the example that owns them, and consecutive answers that Markdown swallowed into one item regain their individual markers. The strict manifest pins all 154 pamphlet pages and their continued exercise numbering. Every page was loaded at desktop and phone widths, then once without the stylesheet: 462 renderings. The day and night palettes both held, as did print. Direct inspection covered the final opening and both numeral drills. Arithmetic and Market Day received their own checks. So did the error repairs, answer key, and five-table appendix. The shelf catalogue completes the family. It lists fourteen workbooks in the maintained order and places each reading total beside its mark. The layout is a two-column practice desk on wide screens and one column at phone width; without CSS, it remains a plain ordered list. No Markdown source changed anywhere in the visual sequence. diff --git a/project/handoff/current_state.md b/project/handoff/current_state.md index ae1275c7..0905d3ce 100644 --- a/project/handoff/current_state.md +++ b/project/handoff/current_state.md @@ -110,9 +110,9 @@ All eight profiles already have canonical JSON membership, a generated module in ## Corpus state -The literary shelf has completed its full inherited-text review against the current lexicon. It holds seventeen works: nine include a close translation, eleven include a transmutation, four are original Phi compositions, and seven source works use both methods. *News from Nowhere* is one 32-chapter work with the first three chapters transmuted and reviewed. The current inherited-text review record is [`documents/evaluation/active_text_corpus_review.md`](../../documents/evaluation/active_text_corpus_review.md), while the original dialogue carries its proposition and vocabulary-pressure records in the work itself. The compound registry holds 76 rows at word-pair and word-triple scale by the maintainer's ruling of 23 July 2026: its one four-word entry overreached from compound toward canonized phrase, so `lothea korua`, love-heart, is registered in its place and `mawha norui` composes freely before it in the Metta Sutta's lines. +The literary shelf has completed its full inherited-text review against the current lexicon. It holds seventeen works: nine include a close translation, eleven include a transmutation, four are original Phi compositions, and seven source works use both methods. *News from Nowhere* is one 32-chapter work with the first four chapters transmuted and reviewed. The current inherited-text review record is [`documents/evaluation/active_text_corpus_review.md`](../../documents/evaluation/active_text_corpus_review.md), while the original dialogue carries its proposition and vocabulary-pressure records in the work itself. The compound registry holds 77 rows at word-pair and word-triple scale by the maintainer's ruling of 23 July 2026. Its one four-word entry overreached from compound towards canonized phrase, so `lothea korua`, love-heart, is registered in its place and `mawha norui` composes freely before it in the Metta Sutta's lines. Chapter 4 adds `wisola lokue`, exchange-place, for a market. -SEM-09D is complete. Fifteen literary passes finished the shelf, and all three drafted *News from Nowhere* chapters are among them. All seven manual parts, all twenty-seven primer files, and the nine pamphlets then on the shelf are reviewed without a lexical gap, and the current-documents sweep closed with the evaluation corpus. Parts IV and VI each use one explicitly labelled optional term with a base alternative; Part VII teaches module words only inside their named learning paths, while the general primer and every pamphlet except source-material use no module terms; the source-material pamphlet demonstrates the module choice it teaches. A Phi passage changes only when the current form is more faithful or natural there. A transparent composition stays when its parts still teach or express the thought better, and every changed sentence and dependency receives validation. +SEM-09D is complete. Fifteen literary passes finished the shelf, including the first three *News from Nowhere* chapters then drafted. All seven manual parts, all twenty-seven primer files, and the nine pamphlets then on the shelf are reviewed without a lexical gap, and the current-documents sweep closed with the evaluation corpus. Parts IV and VI each use one explicitly labelled optional term with a base alternative; Part VII teaches module words only inside their named learning paths, while the general primer and every pamphlet except source-material use no module terms; the source-material pamphlet demonstrates the module choice it teaches. A Phi passage changes only when the current form is more faithful or natural there. A transparent composition stays when its parts still teach or express the thought better, and every changed sentence and dependency receives validation. After SEM-09D closed, the pamphlet shelf completed its practice coverage. A nine-reader survey judged every retrofitted pamphlet a worthy companion and mapped the corpus's remaining practice gaps, since the manual deliberately carries doctrine with almost no topic exercises and the pamphlets are its entire practice apparatus. The spoken-punctuation pamphlet then took its expansion: it is now the first teaching home of the full twenty-interjection class, and it hands the counterpart-less marks to sentence structure. Five new practice companions followed the gap map's own ranking: adverbial clauses, tense and aspect, pronouns and topic-drop, nouns and classifiers, and coordination. The shelf holds fourteen pamphlets, every core grammar topic has a practice home, and the gap map is empty. The new companions quote validated doctrine examples wherever one exists, point to their neighbors at shared borders instead of reteaching them, and are module-free. Future pamphlets wait on the maintainer's direct nomination from gap analysis. @@ -123,15 +123,15 @@ The shelf's method distinction remains settled: - In an original, Phi is the source. English follows as a close reading, and the proposition record states what the work argues, revises, and leaves open. - Phi prefers transmutation for inherited material. Close translations show what the language can carry, while original work lets the language begin without a prior source. -### News from Nowhere, chapter 4 +### News from Nowhere -The maintainer intends chapter 4, "A Market by the Way", as the next transmutation. It is the shortest of the four so far, about 1,158 words of source against chapter 3's 1,293 rendered lines, and it is the gift economy's second test: a Victorian visitor walking through a market with no money in it. +Chapter 4, "A Market by the Way", now joins the sequence. Its six movements carry 121 non-overlapping source citations and cover every source word except the chapter heading. The chapter follows the restored creek into Hammersmith market, gives Dick his theatre doors, and rebuilds the "poor/poorly" joke around contextual `huwa`, weak. Guest leaves the relevant pressure unnamed, Guide hears bodily weakness, and only the clarification names insufficient resources. No root was needed. The repeated market reading registers `wisola lokue`, exchange-place. -One precondition stands on file and is unsettled. The module-vocabulary ruling for this novel has never been made. The proposal on record is that the future people speak core vocabulary while the narrator's old-world descriptions may reach module words, which matters immediately in a market chapter. Settle it with the maintainer before drafting rather than after. The same note asks that chapters 1 through 3 be verified as having survived the four-syllable migration sweep, which has not been checked. +The maintainer has settled the vocabulary ruling for the novel: every voice may use the full vocabulary, including optional modules, whenever the concept fits. The narrator does not receive a broader lexicon than the future people. The chapter 4 preflight also checked chapters 1 through 3 against the current retired-form and four-syllable migration lists and found no surviving form. Lexicon words remain capped at three syllables; four syllables belong only to productive names. -Whoever takes the chapter should work from `.claude/skills/transmute/SKILL.md`, the transmutation guide written for models out of this novel's own chapter 1 failures. It applies to a single-line correction as much as to a chapter. Read all three existing chapters end to end first, not excerpts: the conventions are documented, but the register is only in the chapters. +Future work on the novel begins with `.claude/skills/transmute/SKILL.md`, the guide written from chapter 1's failures. It applies to one repaired line as firmly as to a new chapter. Read every existing chapter end to end before drafting. The conventions can be listed, but their pace lives in the chapters. -The settled conventions are these. Every block runs four lines, Phi, gloss, back-translation in parentheses, and a `morris:` line quoting exactly the clause that block transmutes, checked against the complete witness at `texts/news_from_nowhere/source.txt`. Each block group carries a Notes paragraph. The names are ratified and in use: `ne phemi` for the narrator, Guest; `ne kulo` for Dick; `ne selomi` for the weaver; `ne solai` for Boffin with `ne keruko` for his real name; `ne luwae` for Annie; `ne woru` for Jim. Morris's habit of sorting people by gender dissolves by rule, which is the largest deliberate loss in the book and was ratified as such. Coining is expected rather than rationed: the maintainer's standing instruction is a closer transmutation even when it costs more coinage, and four-syllable words are welcome for concepts that recur rarely. +Each fenced unit has four lines: Phi, exact gloss, back-translation in parentheses, and a `morris:` citation checked against `texts/news_from_nowhere/source.txt`. Citations are exhaustive, verbatim, non-overlapping, and assigned to the unit that carries them. Every movement closes with a Notes paragraph that owns its departures. The names are settled: `ne phemi` for the narrator, Guest; `ne kulo` for Dick; `ne selomi` for the weaver; `ne solai` for Boffin with `ne keruko` for his real name; `ne luwae` for Annie; `ne woru` for Jim. Morris's gender categories remain visible in his citations while Phi describes the people without reproducing those classes. Coining is welcome when composition cannot do honest work, subject to the three-syllable lexical ceiling and the complete development protocol. The build enforces its own contract. `site/news_from_nowhere_editorial.json` needs a chapter record whose declared counts match what the renderer finds, covering movements, opening paragraphs, interlinear blocks and stanzas, notes, tables, ledger rows, and inner dividers, and its chapter list must match the `chapter_*.md` glob exactly. The ladder in `texts/news_from_nowhere/README.md` gains a row. A chapter that renders without those in step stops the build. diff --git a/project/roadmap.md b/project/roadmap.md index 109f6dba..c127f7dd 100644 --- a/project/roadmap.md +++ b/project/roadmap.md @@ -245,7 +245,7 @@ This phase is adjacent to the linguistic improvement plan and follows the order | PUB-03 | **DEFERRED** | Automated print/PDF pipeline from the same Markdown and lexicon sources. | Strategy in `project/publishing.md` | Begin after content and learner evidence stabilize enough for page design. | | PUB-04 | **DEFERRED** | Circulated review PDF. | Depends on PUB-03 and outside readers | Gather corrections before physical production. | | PUB-05 | **DEFERRED** | Physical publication. | Depends on a waiting audience, not projected demand | Print when the book is an artifact of existing use rather than its substitute. | -| PUB-06 | **DONE** | Give each website shelf a renderer-led visual identity while keeping its Markdown clean. | The renderer gives the book and complete primer distinct identities without changing their source. The text shelf is also complete. Six regular paired texts use the anthology design, with individual motifs, Tengwar titles, exact interlinear rows, responsive comparison ledgers, and strict source-shape checks. *The Prophet* adds a collection form for its three teachings. The translation-only form gives the Metta Sutta numbered verses and a quiet recitation, and gives the Solarpunk Manifesto stronger proposition divisions. Each ends by naming what Phi could not carry exactly from its source. The standalone form keeps Tolkien's couplet apart for examination before the Ring refusal, leads through the three *Little Prince* excerpts, and maps all eighteen scenes of *The Velveteen Rabbit* across 428 source-and-Phi rows. The renderer decodes quoted source witnesses before display, so backslash escapes stay off the page. The original form gives each of its 39 dialogue units a speaker gutter with Phi first and verifies every row in the three analytical ledgers. The contents page explains all four source relationships and carries thirteen short works in catalogue order with Phi, English, and Tengwar titles. *News from Nowhere* has a separate book identity, progress catalogue, chapter mastheads, and all 29 movements mapped across 565 source-and-Phi passages. Its strict record catches source-shape drift, while its own reader memory keeps a long book from displacing the reader's place elsewhere on the shelf. The manual now opens with a catalogue of seven parts, 24 chapters, and 145 readings. Part jumps and global reading numbers make the long reference navigable, while the established marks distinguish the sequence through its closing pages. The same manifest supplies correct names to every page header and must agree with the compact repository outline. The reading sources remain unchanged; the stale README and outline that repeated page titles now describe the present structure. The full matrix covers 292 wide and narrow loads, with separate dark, print, glossary, and colophon checks. *The Three Slots* establishes the practice layout on each of its thirteen pages. Adverbial, complementizer, coordination, and relative-clause practice adds another 38 under a paired-bracket motif. Time and evidence add 23 more pages, each with its own mark: a clock and focus for event views, a route and eye for claimed source. The two reference workbooks add another 23 pages under their own participant and noun-phrase marks. Naming and Source Material add 21 pages under distinct marks. Their source shapes add intentional sectionless lessons, a reasoning page, and a table-first reference leaf to the workbook renderer. Spoken Punctuation and Tengwar Mode add 25 pages under separate sound and writing marks. Tengwar fences become semantic figures with glyphs, romanized Phi, glosses, and translations where the source has them. Its compact lessons stay unsectioned, the exercise labels recover their hierarchy, and the final page reads as a twenty-two-line copybook. Counting in Phi adds the final eleven source pages under an abacus-and-scale mark. Its small-number correspondence is a two-column drill; the higher-number reading set is a numbered recital. The market exchange remains interlinear despite its spoken dash, and inline answer labels recover ten navigable groups. Rendered adaptation still handles the complementizer key, exact contents punctuation, split interlinear glosses, and consecutive answers collapsed by Markdown. It also restores Naming's paragraph-labelled answer parts and Tengwar's bold exercise divisions. The coverage record fixes the shape of all 154 pamphlet pages and every non-default list start. The 462-load matrix checks wide, narrow, and stylesheet-free output. Direct inspection ranged from the opening and core lessons to Market Day. Error, answer-key, and appendix layouts had separate desktop and phone checks. The pamphlet catalogue completes the sequence. It keeps all fourteen workbooks in catalogue order, counts their 154 reading pages from source, and gives each entry the motif used inside its workbook. Wide screens use two columns; a 390-pixel frame uses one without overlap or horizontal overflow. The semantic ordered list remains readable without CSS and under print styling. | Complete. | +| PUB-06 | **DONE** | Give each website shelf a renderer-led visual identity while keeping its Markdown clean. | The renderer gives the book and complete primer distinct identities without changing their source. The text shelf is also complete. Six regular paired texts use the anthology design, with individual motifs, Tengwar titles, exact interlinear rows, responsive comparison ledgers, and strict source-shape checks. *The Prophet* adds a collection form for its three teachings. The translation-only form gives the Metta Sutta numbered verses and a quiet recitation, and gives the Solarpunk Manifesto stronger proposition divisions. Each ends by naming what Phi could not carry exactly from its source. The standalone form keeps Tolkien's couplet apart for examination before the Ring refusal, leads through the three *Little Prince* excerpts, and maps all eighteen scenes of *The Velveteen Rabbit* across 428 source-and-Phi rows. The renderer decodes quoted source witnesses before display, so backslash escapes stay off the page. The original form gives each of its 39 dialogue units a speaker gutter with Phi first and verifies every row in the three analytical ledgers. The contents page explains all four source relationships and carries thirteen short works in catalogue order with Phi, English, and Tengwar titles. *News from Nowhere* has a separate book identity, progress catalogue, chapter mastheads, and all 35 movements mapped across 686 source-and-Phi passages. Its strict record catches source-shape drift, while its own reader memory keeps a long book from displacing the reader's place elsewhere on the shelf. The manual now opens with a catalogue of seven parts, 24 chapters, and 145 readings. Part jumps and global reading numbers make the long reference navigable, while the established marks distinguish the sequence through its closing pages. The same manifest supplies correct names to every page header and must agree with the compact repository outline. The reading sources remain unchanged; the stale README and outline that repeated page titles now describe the present structure. The full matrix covers 292 wide and narrow loads, with separate dark, print, glossary, and colophon checks. *The Three Slots* establishes the practice layout on each of its thirteen pages. Adverbial, complementizer, coordination, and relative-clause practice adds another 38 under a paired-bracket motif. Time and evidence add 23 more pages, each with its own mark: a clock and focus for event views, a route and eye for claimed source. The two reference workbooks add another 23 pages under their own participant and noun-phrase marks. Naming and Source Material add 21 pages under distinct marks. Their source shapes add intentional sectionless lessons, a reasoning page, and a table-first reference leaf to the workbook renderer. Spoken Punctuation and Tengwar Mode add 25 pages under separate sound and writing marks. Tengwar fences become semantic figures with glyphs, romanized Phi, glosses, and translations where the source has them. Its compact lessons stay unsectioned, the exercise labels recover their hierarchy, and the final page reads as a twenty-two-line copybook. Counting in Phi adds the final eleven source pages under an abacus-and-scale mark. Its small-number correspondence is a two-column drill; the higher-number reading set is a numbered recital. The market exchange remains interlinear despite its spoken dash, and inline answer labels recover ten navigable groups. Rendered adaptation still handles the complementizer key, exact contents punctuation, split interlinear glosses, and consecutive answers collapsed by Markdown. It also restores Naming's paragraph-labelled answer parts and Tengwar's bold exercise divisions. The coverage record fixes the shape of all 154 pamphlet pages and every non-default list start. The 462-load matrix checks wide, narrow, and stylesheet-free output. Direct inspection ranged from the opening and core lessons to Market Day. Error, answer-key, and appendix layouts had separate desktop and phone checks. The pamphlet catalogue completes the sequence. It keeps all fourteen workbooks in catalogue order, counts their 154 reading pages from source, and gives each entry the motif used inside its workbook. Wide screens use two columns; a 390-pixel frame uses one without overlap or horizontal overflow. The semantic ordered list remains readable without CSS and under print styling. | Complete. | | PUB-07 | **DONE** | Give Kia, the Short Road, and the Phi Book contents page distinct entrance treatments without decorating their Markdown. | Kia has its light threshold. Its Romanized and Tengwar greetings frame six numbered encounters and seven linked destinations, each open across its full row. The Short Road is a twelve-stop walk with a compact map, joined waypoints, thirteen interlinear figures, and a closing invitation in both writing systems. The Phi Book contents page is a map of the completed argument. A cover-like opening leads into four movements across chapters 1 through 14. From the boatman at the river it runs to the final door; the bibliography follows outside that route. The source list and published book must agree exactly. All three layouts hold in both site themes, at phone width, in print, and without a stylesheet. | Complete. | | GOV-01 | **DONE** | Versioned canon, development log, release manifests, CI, and post-merge branch hygiene. | Repository practice | Continue for every merged milestone. | | GOV-02 | **READY** | Lightweight contribution and consent guidance for first outside participants. | Existing consent notes are task-specific | Write only before inviting contributions or collecting feedback. | diff --git a/site/manual_editorial.json b/site/manual_editorial.json index 225766a2..9881818b 100644 --- a/site/manual_editorial.json +++ b/site/manual_editorial.json @@ -607,7 +607,7 @@ "variant": "directory" }, "manual/part7_reference/compounds.md": { - "shape": "h1,2,2,2,2,2,2,2,2,2;t4x8,4x3,4x10,4x1,4x3,4x4,4x9,4x19,4x19;f-;q-;u-;o-;r0", + "shape": "h1,2,2,2,2,2,2,2,2,2;t4x8,4x3,4x10,4x1,4x3,4x4,4x9,4x19,4x20;f-;q-;u-;o-;r0", "variant": "standard" }, "manual/part7_reference/quick_reference_grammar.md": { diff --git a/site/news_from_nowhere_editorial.json b/site/news_from_nowhere_editorial.json index 1921c3c5..e9c40698 100644 --- a/site/news_from_nowhere_editorial.json +++ b/site/news_from_nowhere_editorial.json @@ -171,6 +171,46 @@ "tables": 0, "ledger_rows": [], "inner_dividers": 1 + }, + { + "file": "chapter_04.md", + "number": 4, + "title": "A Market by the Way", + "summary": "The road through Hammersmith opens into a market without prices, where Dick's theatre doors and an old pun about poverty leave the traveller impressed, distracted, and thoroughly misunderstood.", + "movements": [ + { + "level": 2, + "title": "ruela nela phuliro — The road and the stream" + }, + { + "level": 2, + "title": "lorima kire — The forms of the market" + }, + { + "level": 2, + "title": "wisola lokue — The exchange-place" + }, + { + "level": 2, + "title": "shela wile lokue ponu — The theatre doors" + }, + { + "level": 2, + "title": "lewonu phewani — The valley neighbours" + }, + { + "level": 2, + "title": "henoi — Enough of what" + } + ], + "apparatus": "What the transmutation changed", + "opening_paragraphs": 2, + "interlinear_blocks": 6, + "interlinear_stanzas": 121, + "notes": 6, + "tables": 0, + "ledger_rows": [], + "inner_dividers": 1 } ] } diff --git a/texts/README.md b/texts/README.md index e2d22736..0275d1a8 100644 --- a/texts/README.md +++ b/texts/README.md @@ -24,7 +24,7 @@ Short works each have one Markdown file. A book gets its own directory, where it | The Prophet, selections | Translation + transmutation | Three teachings, with On Children rendered both ways. | [Read](prophet_excerpts.md) | | Tao Te Ching, selections | Translation + transmutation | Legge's chapters 8, 11, 17, 63, and 76 rendered both ways. | [Read](tao_te_ching.md) | | The Heart Sutra | Translation + transmutation | Müller's smaller Heart Sutra in two renderings. | [Read](heart_sutra.md) | -| News from Nowhere | Transmutation | The first three chapters of a planned 32. | [Open the book](news_from_nowhere/) | +| News from Nowhere | Transmutation | The first four chapters of a planned 32. | [Open the book](news_from_nowhere/) | ## Maintaining the shelf diff --git a/texts/news_from_nowhere/README.md b/texts/news_from_nowhere/README.md index d3a815db..604fb55a 100644 --- a/texts/news_from_nowhere/README.md +++ b/texts/news_from_nowhere/README.md @@ -1,6 +1,6 @@ # *News from Nowhere* -William Morris's novel belongs here as one work. The book has 32 chapters; the first three are transmuted below, and later chapters will join the same sequence. The complete [source witness](source.txt) sits beside them so every chapter can cite one shared text. +William Morris's novel belongs here as one work. The book has 32 chapters; the first four are transmuted below, and later chapters will join the same sequence. The complete [source witness](source.txt) sits beside them so every chapter can cite one shared text. ## Chapters @@ -9,3 +9,4 @@ William Morris's novel belongs here as one work. The book has 32 chapters; the f | 1 | Discussion and Bed | [Read chapter 1](chapter_01.md) | | 2 | A Morning Bath | [Read chapter 2](chapter_02.md) | | 3 | The Guest House and Breakfast Therein | [Read chapter 3](chapter_03.md) | +| 4 | A Market by the Way | [Read chapter 4](chapter_04.md) | diff --git a/texts/news_from_nowhere/chapter_04.md b/texts/news_from_nowhere/chapter_04.md new file mode 100644 index 00000000..4fafdf06 --- /dev/null +++ b/texts/news_from_nowhere/chapter_04.md @@ -0,0 +1,662 @@ +# nophi lue mawha lokue — News from Nowhere, ch. 4: A Market by the Way + +*The carriage leaves the river and enters a Hammersmith the narrator can scarcely recognise. A buried stream has returned to daylight, fields have replaced King Street, and a market stands among buildings whose beauty sends his heart a little higher than dignity strictly requires. Guide, `ne kulo`, is pleased by that response, not least because he made the theatre doors. The market becomes `wisola lokue`, exchange-place: food changes hands there, but money, prices, buying, and selling do not enter the Phi account.* + +*Morris then lets one English syllable do two incompatible jobs. Guest, `ne phemi`, asks about the "poor"; Guide hears "poorly" and looks for illness. Phi cannot inherit that homonym by pretending. Instead, Guest reaches for `huwa`, weak, and neglects to say in what respect. Guide hears bodily weakness. Only on his second attempt does Guest name insufficient resources and rough clothes. Their confusion survives, but the words that cause it are honestly Phi's own. Each block carries the Phi passage, its word-by-word gloss, a back-translation, and the exact Morris wording beside it.* + +--- + +## ruela nela phuliro — The road and the stream + +``` +lo mia lue luphore to reshi rato. +PL 1SG ABL river PST fast turn. +(We turned quickly away from the river.) +morris: "We turned away from the river at once," + +pheo teku shemu lo mia mua whu thue ha lokue wepu whalo ruela to wepu. +POST short moment PL 1SG LOC REL THROUGH PROX place go large path PST go. +(Soon we were on the great road that went through this place.) +morris: "and were soon in the main road that runs through Hammersmith." + +lu he mia lue luphore ma shua. mia tha mia kua nai tho po ma kethira. +COND IRR 1SG ABL river NEG come. 1SG DECL.COMP 1SG where be DECL.COMP.CLOSE POT NEG infer. +(Had I not come from the riverside, I could not have inferred where I was.) +morris: "But I should have had no guess as to where I was, if I had not started from the waterside;" + +serao ruela to te nai. +old path PST CESS be. +(The old street had ceased to be.) +morris: "for King Street was gone," + +whalo ruela thue lo losha sileta pelowa nela lo whu phea thepalu se sorila muila to wepu. +large path THROUGH PL wide sun meadow COORD PL REL AS garden PASS cultivate earth PST go. +(The great road ran through wide sunlit meadows and cultivated earth like gardens.) +morris: "and the highway ran through wide sunny meadows and garden-like tillage." + +phuliro lue whu phou muila nai phialu shoeka to ki se leiro. +stream ABL REL BELOW earth be water route PST PFV PASS release. +(The stream had been released from its underground water-route.) +morris: "The Creek, which we crossed at once, had been rescued from its culvert," + +lo mia thue ha mioru repha to reshi wepu. +PL 1SG THROUGH PROX beautiful bridge PST fast go. +(We quickly went over its beautiful bridge.) +morris: "and as we went over its pretty bridge" + +lo mia lunisa pheno phialu to hi nila. +PL 1SG tide full water PST DIR see. +(We saw directly that its water was still full with the tide.) +morris: "we saw its waters, yet swollen by the tide," + +nia phialu leko sheloi keru phirae ponalu luphonu to nai. +ON water surface MANY bright different size boat PST be. +(Many bright boats of different sizes were on the water's surface.) +morris: "covered with gay boats of different sizes." + +soli womu mua ruela to whano. soli womu thoa lo kosha to whano. +SOME home LOC path PST stand. SOME home AMONG PL field PST stand. +(Some houses stood along the road, and some among the fields.) +morris: "There were houses about, some on the road, some amongst the fields" + +lo phena thiku ruela wea ha lo womu to kulo. +PL kind small path TOWARD PROX PL home PST guide. +(Pleasant little lanes led towards the houses.) +morris: "with pleasant lanes leading down to them," + +roa theli womu whu ruloi lorua thepalu to nai. +AROUND EACH home REL flourish abundant garden PST be. +(Around each house was an abundant, flourishing garden.) +morris: "and each surrounded by a teeming garden." + +theula womu mioru noporu to phelu. theula womu keruko to nai. +UNIV home beautiful design PST hold. UNIV home sturdy PST be. +(Every house had a beautiful design, and every house was sturdy.) +morris: "They were all pretty in design, and as solid as might be," + +lo womu phea telo womu to ka nila. +PL home AS farmer home PST CAUS see. +(The houses looked like farmers' homes.) +morris: "but countryfied in appearance, like yeomen's dwellings;" + +soli womu roe rulo mueri kerou to se lorima. +SOME home INS red clay stone PST PASS build. +(Some houses were built of red clay-stone.) +morris: "some of them of red brick like those by the river," + +shelami womu roe wolea nela helu whilo muralo to se lorima. +MOST home INS wood COORD smooth white material PST PASS build. +(Most were built of wood and smooth pale material.) +morris: "but more of timber and plaster," + +lo muralo tha lo womu phea ha se na lorima tho to phelona. +PL material DECL.COMP PL home AS PROX PASS NEC build DECL.COMP.CLOSE PST require. +(Those materials required the houses to be built in this manner.) +morris: "which were by the necessity of their construction" + +thelao lo womu kire phea tholua senao muralo womu kire to nai. +CONS PL home shape AS ancient same material home shape PST be. +(Consequently, the houses had the forms of ancient houses made from the same materials.) +morris: "so like mediaeval houses of the same materials" + +mia tha mia mua tholua punoa lima nai tho to phaelo. +1SG DECL.COMP 1SG LOC ancient society alive be DECL.COMP.CLOSE PST feel. +(I felt as though I were alive in an ancient society.) +morris: "that I fairly felt as if I were alive in the fourteenth century;" + +lo mia lo miona to haromi. lo shia wethalu ha phaelo to panoru. +PL 1SG PL person PST meet. PL 3SG garment PROX feel PST support. +(We met people, and their clothes supported that feeling.) +morris: "a sensation helped out by the costume of the people that we met or passed," + +mawha wethalu mia punoa kire to phelu. +NONE garment 1SG society shape PST hold. +(No garment held the form of my own society.) +morris: "in whose dress there was nothing \"modern.\"" + +shelami miona keru wethalu to wenuha. +MOST person bright garment PST wear. +(Most people wore bright clothes.) +morris: "Almost everybody was gaily dressed," + +soli miona mo ko keru wethalu to wenuha. +SOME person CMPR FOC bright garment PST wear. +(Some wore the brightest clothes of all.) +morris: "but especially the women," + +lo miona ru mioru kire to nai. +PL person INTS beautiful shape PST be. +(The people were very beautiful.) +morris: "who were so well-looking, or even so handsome," + +mia wei ne kulo tha lo miona ru mioru nai tho haolu to rinu. whekai mia ha phelui to kethua kupe. +1SG DAT NAME kulo DECL.COMP PL person INTS beautiful be DECL.COMP.CLOSE speak PST want. CONTR 1SG PROX word PST hard hide. +(I wanted to tell Guide how beautiful they were, but with difficulty I kept the words in.) +morris: "that I could scarcely refrain my tongue from calling my companion's attention to the fact." + +soli miona phenui menoa kire to phelu. +SOME person thoughtful face shape PST hold. +(Some people had thoughtful expressions.) +morris: "Some faces I saw that were thoughtful," + +mua ha lo menoa thunoa to se nuwi mishoa. +LOC PROX PL face dignified PST PASS clear express. +(Dignity was clearly expressed in those faces.) +morris: "and in these I noticed great nobility of expression," + +mia mawha whu nuhe phaelo miona menoa to nila. +1SG NONE REL sadness feel person face PST see. +(I saw no face belonging to a person who felt sadness.) +morris: "but none that had a glimmer of unhappiness," + +shelami miona whuo kupe lo siora to mishoa. +MOST person WITHOUT hide PL joy PST express. +(Most people expressed their joy without hiding it.) +morris: "and the greater part (we came upon a good many people) were frankly and openly joyous." +``` + +**Notes:** the road follows Morris's recognition one clue at a time. The river gives way to the vanished street and the new fields. Then the restored creek opens onto bridge, tide, and boats; houses enter only after the water has had its say. The culvert is a `phou muila phialu shoeka`, a below-earth water-route, so the stream can be released without acquiring a piece of Victorian civil-engineering terminology. Brick uses the registered `mueri kerou`, clay-stone. Morris supplies plaster, while Phi reports the smooth pale material Guest can see. His numbered century likewise stays in the source; Phi carries the old society needed for the feeling. Morris marks women as especially well dressed and beautiful. Phi preserves the unequal distribution, some people brighter than the rest, without creating a gender class to name them. Dignity belongs to their expressions rather than rank, and open joy is joy shown without hiding. + +## lorima kire — The forms of the market + +``` +lao lo ruela mua ha lokue to haromi. mia tha mia ha lokue miratu tho to remo. +BECAUSE PL path LOC PROX place PST meet. 1SG DECL.COMP 1SG PROX place recognize DECL.COMP.CLOSE PST think. +(Because the roads met at this place, I thought I recognised it.) +morris: "I thought I knew the Broadway by the lie of the roads that still met there." + +mua nitho ruela phanoi lo mulu womu nela lo whu thei womu phae nai lokue to whano. +LOC north path portion PL low home COORD PL REL BETWEEN home open be place PST stand. +(On the north side of the road stood low buildings and open places between them.) +morris: "On the north side of the road was a range of buildings and courts, low," + +lo womu to se mioru lorima nela to se thesa weshapi. +PL home PST PASS beautiful build COORD PST PASS careful decorate. +(The buildings had been beautifully built and carefully decorated.) +morris: "but very handsomely built and ornamented," + +lo womu sheo lo mueli womu ru phirae to nai. +PL home THAN PL plain (unadorned) home INTS different PST be. +(They differed greatly from the plain houses.) +morris: "and in that way forming a great contrast to the unpretentiousness of the houses round about;" + +leo ha lo mulu womu whalo lona lokue tumoa keluo tiso toru to rihe. +ABOVE PROX PL low home large meeting place heavy metal sharp roof PST rise. +(Above the low buildings rose the steep heavy-metal roof of a great hall.) +morris: "while above this lower building rose the steep lead-covered roof" + +lo kema panoru moru phanoi phou ha toru to whano. +PL strong support wall portion BELOW PROX roof PST stand. +(Strong supporting portions of wall stood beneath that roof.) +morris: "and the buttresses and higher part of the wall of a great hall," + +lona lokue mua waora nela lorua senalu to se lorima. +meeting place LOC wondrous COORD abundant style PST PASS build. +(The hall was built in a wondrous and abundant style.) +morris: "of a splendid and exuberant style of architecture," + +ha senalu lue shao tholua senalu lo mo ko welao kirero to welotu. +PROX style ABL three-group ancient style PL CMPR FOC good quality PST mix. +(This style mixed the best qualities of three ancient styles.) +morris: "of which one can say little more than that it seemed to me to embrace the best qualities of the Gothic of northern Europe with those of the Saracenic and Byzantine," + +shia ta senalu kire to ma phelu. +3SG one style shape PST NEG hold. +(It did not hold the form of any one style.) +morris: "though there was no copying of any one of these styles." + +mua ronua ruela phanoi whu wi shao wi moru phanoi phelu womu to whano. +LOC south path portion REL two three-group two wall portion hold home PST stand. +(On the south side of the road stood a building with eight wall sections.) +morris: "On the other, the south side, of the road was an octagonal building" + +shia raelu toru to phelu. +3SG tall roof PST hold. +(It had a high roof.) +morris: "with a high roof," + +shia kire phea wuero silawo thorea womu kire to nai. +3SG shape AS far village ceremony home shape PST be. +(Its outline was like that of a ceremonial building in a distant city.) +morris: "not unlike the Baptistry at Florence in outline," + +roa womu mulu toru to whano. +AROUND home low roof PST stand. +(A low roof surrounded the building.) +morris: "except that it was surrounded by a lean-to" + +phou toru kerou loriphi thalo ruela to whano. +BELOW roof stone rainbow walk path PST stand. +(Beneath that roof stood a walking path of stone arches.) +morris: "that clearly made an arcade or cloisters to it:" + +we ha womu to se ru phiro weshapi. +ALSO PROX home PST PASS INTS elegant decorate. +(This building too was decorated with great delicacy.) +morris: "it also was most delicately ornamented." +``` + +**Notes:** Broadway is recognisable because the roads still know where to meet. Courts are the open spaces between the buildings. The lead roof continues chapter 3's `tumoa keluo`, heavy metal; Morris keeps the exact metal. Buttresses are strong supporting wall-sections. Morris gives the building three architectural pedigrees and, sensibly, makes the narrator decline to choose among them. Phi keeps the relation: three old styles contribute their best qualities, but the building copies none. The octagon counts its eight wall-sections in ternary, `wi shao wi`. Florence belongs to Morris's sentence; Phi compares the outline with a distant city's ceremonial building. At ground level, arcade and cloister become a path beneath a low roof, carried by stone rainbows. + +## wisola lokue — The exchange-place + +``` +lo mia lue lo loshi kosha to shua. ha lo womu neo lo mia to pakiro rihe. +PL 1SG ABL PL joyful field PST come. PROX PL home FRONT PL 1SG PST sudden rise. +(We came from the pleasant fields, and these buildings rose suddenly before us.) +morris: "This whole mass of architecture which we had come upon so suddenly from amidst the pleasant fields" + +ha lorima mua miso ru mioru kire to nai. +PROX build LOC REFL INTS beautiful shape PST be. +(The architecture itself was exquisitely beautiful.) +morris: "was not only exquisitely beautiful in itself," + +lo womu heloi kealo nela lorua lioru to mishoa. +PL home generous create COORD abundant life PST express. +(The buildings expressed generous making and abundant life.) +morris: "but it bore upon it the expression of such generosity and abundance of life" + +mia phoe ha mawha thimu ru siora to phaelo. +1SG ANT PROX NONE time INTS joy PST feel. +(Before this, I had never felt such joy.) +morris: "that I was exhilarated to a pitch that I had never yet reached." + +mia roe siora to hola. +1SG INS joy PST laugh. +(I laughed with pleasure.) +morris: "I fairly chuckled for pleasure." + +ne kulo ha to shelomu. +NAME kulo PROX PST understand. +(Guide understood this.) +morris: "My friend seemed to understand it," + +ne kulo to meilo. shia roe siora nela lothea mia to nila. +NAME kulo PST sit. 3SG INS joy COORD love 1SG PST see. +(Guide sat looking at me with pleasure and affection.) +morris: "and sat looking on me with a pleased and affectionate interest." + +lo mia thoa sheloi rolutha to te wepu. +PL 1SG AMONG MANY wagon PST CESS go. +(We stopped among many wagons.) +morris: "We had pulled up amongst a crowd of carts," + +mua lo rolutha mioru wolu miona nela lo lopia to meilo. lo shia keru wethalu to wenuha. +LOC PL wagon beautiful healthy person COORD PL child PST sit. PL 3SG bright garment PST wear. +(Beautiful, healthy-looking people and children sat in the wagons, and they wore bright clothes.) +morris: "wherein sat handsome healthy-looking people, men, women, and children very gaily dressed," + +lo rolutha wisola rolutha to nuwi nai. +PL wagon exchange wagon PST clear be. +(The wagons were plainly exchange-wagons.) +morris: "and which were clearly market carts," + +lo rolutha roe lorua kosha nuora pheno to nai. mia lo nuora nuola to rinu. +PL wagon INS abundant field food full PST be. 1SG PL food eat PST want. +(The wagons were full of abundant food from the fields, and I wanted to eat it.) +morris: "as they were full of very tempting-looking country produce." +``` + +**Notes:** the architecture catches Guest without warning, so "beautiful" cannot carry his whole response by itself. The buildings express generous making and abundant life; he feels a new height of joy and chuckles aloud. Their wagons are `wisola rolutha`, exchange-wagons, and their repeated use settles `wisola lokue`, exchange-place. The noun use of `wisola` comes from the event-noun rule. Exchange names the event without presuming currency or sale. Morris calls the food tempting-looking; Guest admits the practical result and wants to eat it. Phi sees adults and children together, while Morris's division into men and women stays in the source. + +## shela wile lokue ponu — The theatre doors + +``` +mia sha ha thilou phelona ma nai. mia ha nuwi nila sho to haolu. +1SG QUOT.COMP PROX inquire require NEG be. 1SG PROX clear see QUOT.COMP.CLOSE PST speak. +(I said, "There is no need to ask this. I can see it clearly.") +morris: "I said, \"I need not ask if this is a market, for I see clearly that it is;" + +mia sha whekai misa ha wisola lokue ru waora nai sho to haolu. +1SG QUOT.COMP CONTR why PROX exchange place INTS wondrous be QUOT.COMP.CLOSE PST speak. +(I said, "But why is this exchange-place so splendid?") +morris: "but what market is it that it is so splendid?" + +mia sha ra whalo lona lokue hina nai. ronua ruela phanoi womu hina nai sho to haolu. +1SG QUOT.COMP DIST large meeting place what be. south path portion home what be QUOT.COMP.CLOSE PST speak. +(I said, "What is that great hall, and what is the building on the south side of the road?") +morris: "And what is the glorious hall there, and what is the building on the south side?" + +ne kulo sha ha lo mia wisola lokue nai sho to haolu. +NAME kulo QUOT.COMP PROX PL 1SG exchange place be QUOT.COMP.CLOSE PST speak. +(Guide said, "This is simply our exchange-place.") +morris: "\"O,\" said he, \"it is just our Hammersmith market;" + +mia tha thia shia ru kaeli tho loshi to nai. lo mia thoru nai. +1SG DECL.COMP 2SG 3SG INTS like DECL.COMP.CLOSE joyful PST be. PL 1SG proud be. +(I am glad that you like it so much. We are proud of it.) +morris: "and I am glad you like it so much, for we are really proud of it." + +mua shila lo mia mua ha whalo lona lokue ro haromi. +LOC winter PL 1SG LOC PROX large meeting place HAB meet. +(In winter we meet in this great hall.) +morris: "Of course the hall inside is our winter Mote-House;" + +mua keloi lo mia mua lo kosha sio luphore ro haromi. +LOC summer PL 1SG LOC PL field BESIDE river HAB meet. +(In summer we meet in the fields beside the river.) +morris: "for in summer we mostly meet in the fields down by the river" + +luphore thei lo mia nela ra welamu lokue nai. +river BETWEEN PL 1SG COORD DIST elm place be. +(The river lies between us and that place of elms.) +morris: "opposite Barn Elms." + +ha womu shela wile lokue nai. shia mua lo mia kuri nai. +PROX home art play place be. 3SG LOC PL 1SG right be. +(This building is the theatre, the art-play place. It is on our right.) +morris: "The building on our right hand is our theatre:" + +mia tha thia shia kaeli tho soliru. +1SG DECL.COMP 2SG 3SG like DECL.COMP.CLOSE hope. +(I hope you like it.) +morris: "I hope you like it.\"" + +mia sha lu he mia shia ma kaeli. mia tawimo nai sho to haolu. +1SG QUOT.COMP COND IRR 1SG 3SG NEG like. 1SG foolish be QUOT.COMP.CLOSE PST speak. +(I said, "If I did not like it, I would be foolish.") +morris: "\"I should be a fool if I didn't,\" said I." + +ne kulo menoa la rulo to kelu. +NAME kulo face ATTEN red PST become. +(Guide's face became a little red.) +morris: "He blushed a little as he said:" + +shia sha mia we ha lokue lorima to naphe. mia lo whalo ponu to kealo sho to haolu. +3SG QUOT.COMP 1SG ALSO PROX place build PST help. 1SG PL large door PST create QUOT.COMP.CLOSE PST speak. +(He said, "I helped build this place too. I made the great doors.") +morris: "\"I am glad of that, too, because I had a hand in it; I made the great doors," + +lo ponu roe welotu keluo to se kealo. nia lo ponu lo lemi keru keluo sima to se thesa thinu. +PL door INS mix metal PST PASS create. ON PL door PL thin bright metal thread PST PASS careful put. +(The doors were made from mixed metal, with thin threads of bright metal carefully set into them.) +morris: "which are of damascened bronze." + +pheo soli shemu lo mia lo ponu po nilaki. +POST SOME moment PL 1SG PL door POT inspect. +(Perhaps after a while we shall inspect them.) +morris: "We will look at them later in the day, perhaps:" + +whekai nosa lo mia na wepu. +CONTR now PL 1SG NEC go. +(But now we ought to go on.) +morris: "but we ought to be getting on now." + +mua wisola lokue ha philo mehalu ma nai. +LOC exchange place PROX day busy NEG be. +(This is not a busy day for the exchange-place.) +morris: "As to the market, this is not one of our busy days;" + +mua phirae thimu lo mia mo miona so nila. thelao lo mia wisola lokue so mo welao shelomu. +LOC different time PL 1SG CMPR person FUT see. CONS PL 1SG exchange place FUT CMPR good understand. +(At another time we shall see more people, and therefore understand the exchange-place better.) +morris: "so we shall do better with it another time, because you will see more people.\"" + +mia wei shia sha mea sho to haolu. +1SG DAT 3SG QUOT.COMP thanks QUOT.COMP.CLOSE PST speak. +(I said "thanks" to him.) +morris: "I thanked him," + +mia sha wa ha lo whu thoa lo kosha ro menui miona nai sho to haolu. +1SG QUOT.COMP Q PROX PL REL AMONG PL field HAB dwell person be QUOT.COMP.CLOSE PST speak. +(I said, "Are these the people who usually live among the fields?") +morris: "and said: \"Are these the regular country people?" + +thoa lo shia sheloi ru mioru limu miona nai. +AMONG PL 3SG MANY INTS beautiful young person be. +(There are many very beautiful young people among them.) +morris: "What very pretty girls there are amongst them.\"" + +whau mia haolu. mia ta mioru miona menoa to nila. +SIMUL 1SG speak. 1SG one beautiful person face PST see. +(While I spoke, I saw the face of a beautiful person.) +morris: "As I spoke, my eye caught the face of a beautiful woman," + +shia raelu to nai. shia nuelo whila nela whilo hisae to phelu. +3SG tall PST be. 3SG dark hair COORD white skin PST hold. +(The person was tall, with dark hair and pale skin.) +morris: "tall, dark-haired, and white-skinned," + +lila shia meluna nela sukaro philo keluro. shia whilo liro wethalu to wenuha. +PURP 3SG season COORD hot day honor. 3SG white green garment PST wear. +(To honour the season and the hot day, the person wore a pale-green garment.) +morris: "dressed in a pretty light-green dress in honour of the season and the hot day," + +shia wei mia to phena seniku. +3SG DAT 1SG PST kind smile. +(The person smiled kindly at me.) +morris: "who smiled kindly on me," + +shia sheo mia wei ne kulo to mo phena seniku. +3SG THAN 1SG DAT NAME kulo PST CMPR kind smile. +(The person smiled more kindly at Guide than at me.) +morris: "and more kindly still, I thought on Dick;" + +thelao mia ta teku shemu to manolu. +CONS 1SG one short moment PST stay. +(So I stayed still for a moment.) +morris: "so I stopped a minute, but presently went on:" + +mia tha mia mua wisola lokue lo whu thoa lo kosha menui miona po nila tho to remo. +1SG DECL.COMP 1SG LOC exchange place PL REL AMONG PL field dwell person POT see DECL.COMP.CLOSE PST think. +(I thought I would see people from among the fields at an exchange-place.) +morris: "I ask because I do not see any of the country-looking people I should have expected to see at a market--" + +whekai mia whu thena wisola piru ma nila. +CONTR 1SG REL thing exchange trader NEG see. +(But I see no traders exchanging things.) +morris: "I mean selling things there.\"" +``` + +**Notes:** `wisola lokue` lets Guide call the market ordinary even while Guest is gawping at the roof. The winter Mote-House is the hall where the community meets; summer moves the meeting into fields beside the river, with Barn Elms retained through chapter 3's `ra welamu lokue`. Theatre becomes `shela wile lokue`, art-play-place, which is narrow enough not to turn every gallery or workshop into a theatre. The doors use the registered `welotu keluo`, mixed metal, for bronze, and the visible damascening becomes bright metal threads set carefully into their surface. Dick's blush is small and bodily. Morris's "girls" and "woman" remain in the citations. Phi follows the narrator's eye without turning sex into a person class: a tall person with dark hair, pale skin, a pale-green garment, and a smile notably warmer for Guide. The final "selling" remains Morris's interpretation. Phi gives the market the agents it can actually name, traders exchanging things. + +## lewonu phewani — The valley neighbours + +``` +ne kulo sha mia tha thia hina miona shane tho ma shelomu sho to haolu. +NAME kulo QUOT.COMP 1SG DECL.COMP 2SG what person tell DECL.COMP.CLOSE NEG understand QUOT.COMP.CLOSE PST speak. +(Guide said, "I do not understand what sort of people you mean.") +morris: "\"I don't understand,\" said he, \"what kind of people you would expect to see;" + +mia tha thia kosha miona shane tho we ma shelomu. +1SG DECL.COMP 2SG field person tell DECL.COMP.CLOSE ALSO NEG understand. +(I do not understand what you mean by field-people either.) +morris: "nor quite what you mean by 'country' people." + +ha lo miona lo mia phewani nai. +PROX PL person PL 1SG neighbor be. +(These people are our neighbours.) +morris: "These are the neighbours," + +mua ha luphore lewonu lo miona phea lo shia nai. +LOC PROX river valley PL person AS PL 3SG be. +(The people of this river valley are like them.) +morris: "and that like they run in the Thames valley." + +mua ha lo mola soli muila sheo ha lokue mo keloa nai. +LOC PROX PL island SOME earth THAN PROX place CMPR rough be. +(On these islands, some lands are rougher than this place.) +morris: "There are parts of these islands which are rougher" + +lo muila mo pheralu phelu. +PL earth CMPR rain hold. +(Those lands receive more rain.) +morris: "and rainier than we are here," + +mua ra lo lokue lo miona mo keloa wethalu ro wenuha. +LOC DIST PL place PL person CMPR rough garment HAB wear. +(In those places, people usually wear rougher clothes.) +morris: "and there people are rougher in their dress;" + +lo miona mo kema kire to ka nila. lo shia menoa lo howenu kire to phelu. +PL person CMPR strong shape PST CAUS see. PL 3SG face PL weather shape PST hold. +(The people looked stronger, and their faces carried the marks of weather.) +morris: "and they themselves are tougher and more hard-bitten than we are to look at." + +whekai soli miona sheo lo mia kire ra lo miona kire mo kaeli. +CONTR SOME person THAN PL 1SG shape DIST PL person shape CMPR like. +(But some people prefer their appearance to ours.) +morris: "But some people like their looks better than ours;" + +lo shia tha ra lo menoa mo phirae kire phelu tho shane. ha phelui to nai. +PL 3SG DECL.COMP DIST PL face CMPR different shape hold DECL.COMP.CLOSE tell. PROX word PST be. +(They say those faces have more distinctive form. That is the word they use.) +morris: "they say they have more character in them--that's the word." + +ha kaeli thena nai. +PROX like thing be. +(It is a matter of liking.) +morris: "Well, it's a matter of taste." + +sheno lo lue ra lokue miona nela lo lue ha lokue miona wiso lumani ro ka kelu. ha ro welao lureko thola. +ADD PL ABL DIST place person COORD PL ABL PROX place person RECP family HAB CAUS become. PROX HAB good fruit bring. +(Besides, people from there and people from here often make family with one another. That usually brings good fruit.) +morris: "Anyhow, the cross between us and them generally turns out well," + +ne kulo ha to phenui haolu. +NAME kulo PROX PST thoughtful speak. +(Guide added this thoughtfully.) +morris: "added he, thoughtfully." + +mia shia to hea. whekai mia lo mirae lue shia to rato. +1SG 3SG PST hear. CONTR 1SG PL eye ABL 3SG PST turn. +(I heard him, but my eyes had turned away from him.) +morris: "I heard him, though my eyes were turned away from him," + +ra mioru miona thue norui ponu to si wepu. +DIST beautiful person THROUGH boundary door PST IPFV go. +(The beautiful person was disappearing through a gate.) +morris: "for that pretty girl was just disappearing through the gate" + +shia whalo wiru to phelu. mua wiru newu liro thinoe to nai. +3SG large basket PST hold. LOC basket new green seed PST be. +(The person carried a large basket, and in it were fresh green seeds.) +morris: "with her big basket of early peas," + +mia la nuhe to phaelo. +1SG ATTEN sadness PST feel. +(I felt a little sadness.) +morris: "and I felt that disappointed kind of feeling which overtakes one" + +mia tha shia wea mia so ma turema tho to remo. +1SG DECL.COMP 3SG TOWARD 1SG FUT NEG return DECL.COMP.CLOSE PST think. +(I thought the person would not return to me.) +morris: "when one has seen an interesting or lovely face in the streets which one is never likely to see again;" + +mia sui teku shemu maeli to nai. +1SG DUR short moment quiet PST be. +(I remained quiet for a little while.) +morris: "and I was silent a little." + +pheo laeno shemu mia sha mia mua ha lokue mawha huwa miona ki nila sho to haolu. +POST long moment 1SG QUOT.COMP 1SG LOC PROX place NONE weak person PFV see QUOT.COMP.CLOSE PST speak. +(At last I said, "In this place I have seen no weak person.") +morris: "At last I said: \"What I mean is, that I haven't seen any poor people about--" + +mia ta huwa miona ki ma nila. +1SG one weak person PFV NEG see. +(I have not seen one.) +morris: "not one.\"" +``` + +**Notes:** Guide answers "country" with relationship rather than category: these are neighbours, and this is how people of the Thames valley commonly look. Roughness applies to land and clothing, never to a person's worth. "Hard-bitten" reaches Phi as bodily strength and the weather's marks on a face. For "character," the neighbours prefer faces with more distinctive forms; Morris's word remains beside the choice. His "cross" joins families from the wetter regions and the valley. The good fruit survives, but people are not breeding stock. Morris's "taste" is `kaeli`, liking; `thorima` would turn the comparison into flavour. The early peas are fresh green seeds, with the exact species still present in Morris. Guest's disappointment is small, private, and faintly foolish. At the end he says only `huwa miona`, weak person. Since `huwa` measures capacity against an unstated demand, he has neglected the part of his meaning that Guide most needs. + +## henoi — Enough of what + +``` +ne kulo shia komeri to la tiwa. shia kuelo menoa kire to phelu. +NAME kulo 3SG forehead PST ATTEN tie. 3SG curious face shape PST hold. +(Guide drew his brow together and looked puzzled.) +morris: "He knit his brows, looked puzzled," + +shia sha lia. theula nuwi nai sho to haolu. +3SG QUOT.COMP yes. UNIV clear be QUOT.COMP.CLOSE PST speak. +(He said, "Yes. Clearly.") +morris: "and said: \"No, naturally;" + +lu miona mokela nai. shia mua womu ro manolu. +COND person sick be. 3SG LOC home HAB stay. +(If a person is sick, they generally stay indoors.) +morris: "if anybody is poorly, he is likely to be within doors," + +sola shia mua thepalu po huwa thalo. +DISJ 3SG LOC garden POT weak walk. +(Or they may walk weakly in the garden.) +morris: "or at best crawling about the garden:" + +whekai mia tha nosa mawha miona mokela nai tho sano. +CONTR 1SG DECL.COMP now NONE person sick be DECL.COMP.CLOSE know. +(But I know of no one who is sick now.) +morris: "but I don't know of any one sick at present." + +thia misa tha mokela miona mua ruela po nai tho remo. +2SG why DECL.COMP sick person LOC path POT be DECL.COMP.CLOSE think. +(Why would you expect sick people to be on the road?) +morris: "Why should you expect to see poorly people on the road?\"" + +mia sha tua. tua. mia mokela miona ma shane sho to haolu. +1SG QUOT.COMP no. no. 1SG sick person NEG tell QUOT.COMP.CLOSE PST speak. +(I said, "No, no. I do not mean sick people.") +morris: "\"No, no,\" I said; \"I don't mean sick people." + +mia whu henoi panuri ma phelu miona shane. +1SG REL ENOUGH resource NEG hold person tell. +(I mean people who do not have enough resources.) +morris: "I mean poor people, you know;" + +mia lo whu keloa wethalu phelu miona shane. +1SG PL REL rough garment hold person tell. +(I mean people whose clothes are rough.) +morris: "rough people.\"" + +ne kulo to loshi seniku. +NAME kulo PST joyful smile. +(Guide smiled merrily.) +morris: "\"No,\" said he, smiling merrily," + +shia sha mia ha ma ru shelomu sho to haolu. +3SG QUOT.COMP 1SG PROX NEG INTS understand QUOT.COMP.CLOSE PST speak. +(He said, "I truly do not understand.") +morris: "\"I really do not know." + +lo mia wea mia phao phao phao na reshi wepu. +PL 1SG TOWARD 1SG parent parent parent NEC fast go. +(We must go quickly to my great-grandparent.) +morris: "The fact is, you must come along quick to my great-grandfather," + +shia sheo mia thia so mo welao shelomu. +3SG THAN 1SG 2SG FUT CMPR good understand. +(He will understand you better than I do.) +morris: "who will understand you better than I do." + +kona kerou welisha kalora. +VOC stone color horse. +("Grey horse!") +morris: "Come on, Greylocks!\"" + +ne kulo lo kalora tiwa to roke. +NAME kulo PL horse tie PST move. +(Guide shook the reins.) +morris: "Therewith he shook the reins," + +lo mia wea sileta thorui to loshi wepu. +PL 1SG TOWARD sun beginning PST joyful go. +(We went cheerfully eastward.) +morris: "and we jogged along merrily eastward." +``` + +**Notes:** the English joke cannot travel intact because Phi has no homonym joining poverty to illness. Guest has called the missing people `huwa`, weak, without naming the force or demand against which they have little capacity. Guide takes the nearest bodily reading and answers about sickness, indoor rest, and weak walking in the garden. Guest's next attempt supplies the missing relation: people without enough resources. He also narrows "rough people" to what he had expected to see, people in rough clothes. Guide still cannot understand the social category, which is the point of Morris's exchange. His "No" becomes assent to Guest's observation before the mistaken explanation begins; Phi `tua` would deny that nobody was seen. Great-grandfather keeps chapter 3's exact kinship chain, `mia phao phao phao`. Greylocks is the stone-coloured horse, and east is the registered `sileta thorui`, the Sun's beginning. + +--- + +## What the transmutation changed + +*The chapter follows the whole journey through Hammersmith. King Street has vanished; the creek is free; the tide carries boats. Houses, gardens, bright clothes, and meeting roads lead into the market, and the carriage leaves eastward. The architecture is not reduced to "beautiful buildings." The reader can still inspect its roof and supports, count the octagon, walk beneath the outer arches, and stop with Guest at Dick's inlaid doors.* + +*The exact cultural identities stay beside Phi where they are doing exact work. Morris supplies Hammersmith, King Street, Barn Elms, and Florence. He also supplies the architectural traditions and the numbered century. Phi describes each referent's role or visible substance instead of quietly substituting a vague invented name. Ternary handles the octagon as `wi shao wi` wall-sections; registered compounds supply brick, alloy, gate, and east. This chapter coins no root.* + +*The market is an exchange-place, `wisola lokue`. That expression is not a polite disguise for a shop. People bring food, gather, exchange, talk, and return on busier days. Guest's expectation of sellers remains in Morris's line and appears in Phi as his search for traders exchanging things. Money, price, buying, and sale never become hidden assumptions.* + +*Morris repeatedly sorts the crowd as men, women, and girls. Phi does not reproduce those person classes, but neither does it turn the crowd grey. The clothes remain bright, the bodies healthy, and the passing stranger's hair, skin, pale-green dress, and warmer smile for Guide are all there. In the regional passage, roughness belongs to terrain and clothes. Weather marks faces; it does not lower anyone's human standing. Families connect regions without making people into crosses of stock.* + +*The largest change is the final pun. "Poor" and "poorly" belong to English, and a Phi homonym manufactured for one scene would be a cheat. The new misunderstanding starts when Guest calls the absent people `huwa`, weak, and leaves the relevant pressure unnamed. Guide hears bodily weakness and describes people resting at home. Guest then names resources; Guide remains baffled. The joke changes its machinery, while Morris's social discovery lands in the same place: Guest expects deprivation to be visible, and Guide does not know the category he is trying to name.* From 4026ad693253bf27c8578c3d0473d657807736e3 Mon Sep 17 00:00:00 2001 From: Daniel Ellison Date: Mon, 27 Jul 2026 16:25:54 -0400 Subject: [PATCH 2/2] Refresh phonetic neighbor baseline --- .../phonetic_neighbors_baseline.txt | 308 +++++++++--------- 1 file changed, 154 insertions(+), 154 deletions(-) diff --git a/documents/validation/phonetic_neighbors_baseline.txt b/documents/validation/phonetic_neighbors_baseline.txt index 6ea0fe12..12df6fe8 100644 --- a/documents/validation/phonetic_neighbors_baseline.txt +++ b/documents/validation/phonetic_neighbors_baseline.txt @@ -1,252 +1,252 @@ # Generated by scripts/audit_phonetic_neighbors.py; do not hand-edit. # score unit_edits left left_gloss left_kind right right_gloss right_kind corpus_attestations -0.47 1 mia 1SG function mea thanks interjection 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function 2157 -0.50 1 nia ON function mia 1SG function 2128 -0.50 1 thia 2SG function shia 3SG function 2043 -0.50 1 tha DECL.COMP function ha PROX function 1229 -0.50 1 sha QUOT.COMP function ha PROX function 1103 -0.50 1 pha INT.COMP function ha PROX function 946 -0.50 1 sa HON.RESPECT function ha PROX function 860 -0.50 1 na NEC function ma NEG function 760 -0.50 1 tho DECL.COMP.CLOSE function so FUT function 680 -0.50 1 tha DECL.COMP function sha QUOT.COMP function 640 -0.50 1 tho DECL.COMP.CLOSE function sho QUOT.COMP.CLOSE function 640 -0.50 1 whu REL function su OPT function 574 -0.50 1 sho QUOT.COMP.CLOSE function so FUT function 554 -0.50 1 nua COM function mua LOC function 551 -0.50 1 ta one content ka CAUS function 515 -0.50 1 tha DECL.COMP function pha INT.COMP function 483 -0.50 1 tho DECL.COMP.CLOSE function pho INT.COMP.CLOSE function 483 -0.50 1 tho DECL.COMP.CLOSE function ho ASSUM function 432 -0.50 1 pho INT.COMP.CLOSE function so FUT function 397 -0.50 1 tha DECL.COMP function sa HON.RESPECT function 397 -0.50 1 ta one content pa INCH function 393 -0.50 1 pha INT.COMP function sha QUOT.COMP function 357 -0.50 1 pho INT.COMP.CLOSE function sho QUOT.COMP.CLOSE function 357 -0.50 1 ko FOC function po POT function 352 -0.50 1 ho ASSUM function so FUT function 346 -0.50 1 sho QUOT.COMP.CLOSE function ho ASSUM function 306 -0.50 1 sha QUOT.COMP function sa HON.RESPECT function 271 -0.50 1 ki PFV function pi POL function 265 -0.50 1 mo CMPR function no IMP function 259 -0.50 1 ki PFV function ti REP function 251 -0.50 1 shua come content sua who function 251 -0.50 1 theo read content pheo POST function 245 -0.50 1 ka CAUS function pa INCH function 240 -0.50 1 shea peace content phea AS function 186 -0.50 1 he IRR function se PASS function 184 -0.50 1 hi DIR function si IPFV function 180 -0.50 1 theo read content sheo THAN function 179 +0.50 1 po POT function to PST function 2504 +0.50 1 ko FOC function to PST function 2267 +0.50 1 nia ON function mia 1SG function 2207 +0.50 1 thia 2SG function shia 3SG function 2082 +0.50 1 tha DECL.COMP function ha PROX function 1280 +0.50 1 sha QUOT.COMP function ha PROX function 1153 +0.50 1 pha INT.COMP function ha PROX function 983 +0.50 1 sa HON.RESPECT function ha PROX function 897 +0.50 1 na NEC function ma NEG function 777 +0.50 1 tho DECL.COMP.CLOSE function so FUT function 698 +0.50 1 tha DECL.COMP function sha QUOT.COMP function 667 +0.50 1 tho DECL.COMP.CLOSE function sho QUOT.COMP.CLOSE function 667 +0.50 1 whu REL function su OPT function 586 +0.50 1 nua COM function mua LOC function 577 +0.50 1 sho QUOT.COMP.CLOSE function so FUT function 571 +0.50 1 ta one content ka CAUS function 522 +0.50 1 tha DECL.COMP function pha INT.COMP function 497 +0.50 1 tho DECL.COMP.CLOSE function pho INT.COMP.CLOSE function 497 +0.50 1 tho DECL.COMP.CLOSE function ho ASSUM function 446 +0.50 1 tha DECL.COMP function sa HON.RESPECT function 411 +0.50 1 pho INT.COMP.CLOSE function so FUT function 401 +0.50 1 ta one content pa INCH function 397 +0.50 1 pha INT.COMP function sha QUOT.COMP function 370 +0.50 1 pho INT.COMP.CLOSE function sho QUOT.COMP.CLOSE function 370 +0.50 1 ko FOC function po POT function 359 +0.50 1 ho ASSUM function so FUT function 350 +0.50 1 sho QUOT.COMP.CLOSE function ho ASSUM function 319 +0.50 1 sha QUOT.COMP function sa HON.RESPECT function 284 +0.50 1 mo CMPR function no IMP function 271 +0.50 1 ki PFV function pi POL function 268 +0.50 1 ki PFV function ti REP function 254 +0.50 1 shua come content sua who function 253 +0.50 1 theo read content pheo POST function 248 +0.50 1 ka CAUS function pa INCH function 243 +0.50 1 he IRR function se PASS function 198 +0.50 1 shea peace content phea AS function 192 +0.50 1 theo read content sheo THAN function 184 +0.50 1 hi DIR function si IPFV function 182 0.50 1 mu zero content nu ORD function 177 +0.50 1 hea hear content phea AS function 158 0.50 1 pi POL function ti REP function 156 -0.50 1 hea hear content phea AS function 151 0.50 1 pho INT.COMP.CLOSE function ho ASSUM function 149 -0.50 1 wheo elder content pheo POST function 143 -0.50 1 te CESS function ke INFER function 138 -0.50 1 pheo POST function sheo THAN function 126 +0.50 1 wheo elder content pheo POST function 146 +0.50 1 te CESS function ke INFER function 140 +0.50 1 pheo POST function sheo THAN function 134 +0.50 1 thelao CONS function shelao SUMM function 117 0.50 1 pha INT.COMP function sa HON.RESPECT function 114 -0.50 1 thelao CONS function shelao SUMM function 114 +0.50 1 phoa do content thoa AMONG function 111 0.50 1 ke INFER function pe SUFF function 107 -0.50 1 phoa do content thoa AMONG function 106 -0.50 1 koma head content kona VOC function 100 -0.50 1 hola laugh content sola DISJ function 82 -0.50 1 heloi generous content sheloi MANY function 79 -0.50 1 seloi insightful content sheloi MANY function 78 -0.50 1 wheo elder content sheo THAN function 77 -0.50 1 thola bring content sola DISJ function 74 -0.50 1 hina what function phina FEW function 68 -0.50 1 whola invite content sola DISJ function 59 -0.50 1 te CESS function pe SUFF function 57 -0.50 1 phui flute content sui DUR function 56 +0.50 1 koma head content kona VOC function 101 +0.50 1 hola laugh content sola DISJ function 84 +0.50 1 heloi generous content sheloi MANY function 83 +0.50 1 wheo elder content sheo THAN function 82 +0.50 1 seloi insightful content sheloi MANY function 81 +0.50 1 thola bring content sola DISJ function 76 +0.50 1 hina what function phina FEW function 71 +0.50 1 whola invite content sola DISJ function 60 +0.50 1 te CESS function pe SUFF function 59 +0.50 1 phui flute content sui DUR function 57 0.50 1 muo INTO function nuo um interjection 55 -0.50 1 phue wise content thue THROUGH function 37 +0.50 1 phue wise content thue THROUGH function 41 0.50 1 thua fair content sua who function 37 -0.50 1 thuo prosper content whuo WITHOUT function 35 -0.50 1 whuo WITHOUT function phuo phew interjection 35 -0.50 1 pheno full content sheno ADD function 33 -0.50 1 thenoi falls-short content henoi ENOUGH function 32 -0.50 1 kua where function tua no interjection 26 -0.50 1 heno satisfy content sheno ADD function 23 -0.50 1 shela art content thela how function 22 -0.50 1 thoa AMONG function soa sorry interjection 21 +0.50 1 pheno full content sheno ADD function 36 +0.50 1 thuo prosper content whuo WITHOUT function 36 +0.50 1 whuo WITHOUT function phuo phew interjection 36 +0.50 1 thenoi falls-short content henoi ENOUGH function 33 +0.50 1 kua where function tua no interjection 29 +0.50 1 thoa AMONG function soa sorry interjection 26 +0.50 1 heno satisfy content sheno ADD function 24 +0.50 1 shela art content thela how function 23 +0.50 1 whoa whole content thoa AMONG function 23 0.50 1 shai CONC function sai ouch interjection 20 -0.50 1 whoa whole content thoa AMONG function 18 -0.50 1 phei AWAY function thei BETWEEN function 17 -0.50 1 thei BETWEEN function hei hey interjection 14 +0.50 1 phei AWAY 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book content selu flow content 135 +0.50 1 shelu book content helu smooth content 133 0.50 1 shelu book content thelu dialogue content 133 -0.50 1 shelu book content helu smooth content 132 0.50 1 nophi story content mophi wool content 114 +0.50 1 phao parent content hao pardon interjection 114 0.50 1 phulae mouth content sulae warm content 112 -0.50 1 phao parent content hao pardon interjection 111 +0.50 1 shao three-group content hao pardon interjection 110 0.50 1 noshi near (adj) content nophi story content 108 -0.50 1 shao three-group content hao pardon interjection 108 0.50 1 korua heart content torua year content 101 -0.50 1 siora joy content phiora spirit content 97 -0.50 1 hea hear content shea peace content 95 +0.50 1 siora joy content phiora spirit content 101 +0.50 1 hea hear content shea peace content 96 0.50 1 phoa do content soa sorry interjection 95 0.50 1 korua heart content porua purpose content 94 -0.50 1 phiro elegant content shiro tree content 92 +0.50 1 philo day content whilo white content 94 +0.50 1 phiro elegant content shiro tree content 93 0.50 1 phoa do content whoa whole content 92 -0.50 1 philo day content whilo white content 89 0.50 1 thiro serene content shiro tree content 86 0.50 1 phewo sage content shewo true content 83 -0.50 1 sila community content whila hair content 71 +0.50 1 sila community content whila hair content 72 +0.50 1 noru bowl content moru wall content 71 0.50 1 teli bell content keli device content 70 -0.50 1 noru bowl content moru wall content 69 0.50 1 thero fire content shero night content 67 -0.50 1 helui change content phelui word content 64 +0.50 1 helui change content phelui word content 66 +0.50 1 keru bright content teru process content 62 0.50 1 sholu complete content tholu space content 60 -0.50 1 keru bright content teru process content 57 0.50 1 shelira forest content phelira mistaken content 56 -0.50 1 sila community content shila winter content 55 -0.50 1 phelona require content pheloma serve content 51 +0.50 1 sila community content shila winter content 56 +0.50 1 phelona require content pheloma serve content 53 0.50 1 thuroa grow content shuroa shelter content 47 +0.50 1 shena calm content phena kind content 46 0.50 1 phero fern content thero fire content 44 0.50 1 porua purpose content torua year content 43 -0.50 1 shena calm content phena kind content 43 -0.50 1 thorui beginning content sorui circle content 42 -0.50 1 kunoa knee content punoa society content 40 -0.50 1 thelui sanctuary content phelui word content 40 -0.50 1 thorui beginning content shorui weary content 40 +0.50 1 thorui beginning content sorui circle content 43 +0.50 1 kunoa knee content punoa society content 42 +0.50 1 thelui sanctuary content phelui word content 42 +0.50 1 thorui beginning content shorui weary content 41 +0.50 1 thola bring content hola laugh content 40 0.50 1 phero fern content shero night content 39 -0.50 1 thola bring content hola laugh content 38 -0.50 1 phena kind content sena pattern 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0.50 1 sheru slow content theru thick content 18 +0.50 1 lima alive content lina string (instrument) content 17 0.50 1 seru commit content heru herb content 17 0.50 1 heru herb content theru thick content 16 -0.50 1 lima alive content lina string (instrument) content 16 -0.50 1 kiru chisel content piru trader content 15 +0.50 1 kiru chisel content piru trader content 16 +0.50 1 thola bring content whola invite content 16 0.50 1 pelui cold content telui rhythm content 15 -0.50 1 thola bring content whola invite content 15 -0.50 1 sorui circle content shorui weary content 14 +0.50 1 pheno full content heno satisfy content 14